Tuesday, July 30, 2013

Comfort Zone

If I haven't said it enough, staying interested in your own photography is so vital, it's often understated. I love shooting new things so much I will often get out of my comfort zone just to find them. There are times when these things find you instead. An interesting aspect I'm dealing with is the amount of work coming in, that is seeking me out. This can only mean one thing, I'm doing something right. There was a comment made during this shoot that put quite a bit into perspective for me. I love what I do and I always strive to do the best I can. There is a theory that if you're not moving forward, you're going backwards. I like that alot, I will continue to push forward and challenge myself, not only a photographer, but as an artist. Sunday night I had the opportunity to photograph a custom built motorcycle from Karns Kustoms that is going to be for sale. It's a badass looking green, black, and chrome bike. All sorts of lovely metal bits come together to make this head turner really stand out. Everything is top notch from the paint right down to the custom pin stripping on various parts. I have never shot a motorcycle before so it was a little different finding the right angles. After a bit I got into my groove and we were rockin. When you have the chance to show off something of this detail, effort, time, and money, you do not want to disappoint. Knowing it would be later in the evening, and that I wanted total control of the lighting. I opted to bring both of my Photoflex Starflash 650w strobe units. Two weeks ago I picked up a shoot through softbox type umbrella. Having used it for my recent portrait session with Leila, I was incredibly happy with the results for the price. I brought that umbrella along knowing it would provide nice and soft lighting for the shiny parts of the bike. I was really impressed with the build quality of this motorcycle. Overall I think the photos show the bike well, and I had a good time shooting this beast. Stay tuned for more posts soon

Say hello to "Black Irish"

Doing test shots

What a beauty

Suicide Shifter



Engine



Chain Driven



Wrapped Exhaust Headers

Pin striping

Lighting setup for the photo of the seat below
1/160s,  F/8,  ISO 100


Engine Close Up

Front Wheel

Rear Wheel

Personal Favorite

The composition, lighting, detail and deep depth of field make this a clear winner

1/200s,  F/8,  ISO 100


Monday, July 22, 2013

Introduction to Street Photography Workshop

On July 14th I hosted a Street Photography workshop in downtown Tucson, Arizona. The idea behind workshops is simple, use your knowledge to help others with their own photography. This is something I've recently been doing more of and I must say I enjoy it alot. While I do not know everything, I can certainly show you what I do know and how I see things. Three people joined me for a bit and we set about walking downtown looking for interesting subjects. While the other topics covered in the workshop directly relate to street photography. The topic of looking for interesting subjects: people, shadows, shapes, and architecture is fairly universal if you simply chance the subject. When nature shooting you do same, look for interesting animals, the lighting, slowing down anticipating the actions. The more you can break down and ask yourself why you wanted to take that photo in the first place, the better your photos will be. Was it someone's hat that caught your attention? The color of the hat? The material? The texture? When you can answer these questions to yourself that's what you take a photo of. This helps the viewer not have to guess what it is they are looking at, which always leads to more striking photography. At the workshop I let Jessica Williams borrow my DSLR to shoot with. I opted to use my beloved Pentax K1000 film camera from 1979. I am a big fan of simple yet effective tools, and the legendary K1000 camera is just that. By stripping away all the modern features it forces you to pay more attention, because guess what? You're paying for every frame, so make it count. The process of slowing down and paying more attention to your shots will always inevitably lead to better photos. You may be thinking, isn't that a contradiction to your theory that the streets slow down for no one, and that's what makes them so exciting in the first place? Yes the streets slow down for no one and your biggest asset is your power of observation, but then again you have to remember. I have been using the same camera for 6 years now so it's fair to say I know my way around it. This is not an issue for me but it may be difficult for a beginning film user to learn the basics on the streets. Another topic I'd like to touch on is how to handle people's reaction to you taking their photo. 90% of the time a simple smile and wave directly after taking the photo will diffuse most situations. There was an incident on Sunday where a lady had engaged me and started talking to me. Having responded and smiled, some photos were snapped of the woman. That's when she snapped and started yelling at Brian "get away from me, you're gonna hurt me, I know what you're gonna do" all while he is doing absolutely nothing to her. We felt removing ourselves from the situation and relocating would be the best bet instead of sticking around. It just goes to show you how fast a situation can turn and one must always be ready for anything. Overall I had such a good time hosting this workshop and I feel I was able to help others and get them interested in this style of shooting. You don't need to live in a huge city with tons of people to get striking street photos. Sure there will be more subjects, but that won't make your photos any better. As long as you can capture the environment and the essence of the environment while adding the human element. That's what street photography is all about to me. Thanks for stopping by. Until next time

Photo by: Ricardo Chao

The group looking at the photos they were able to snap off. No can do with film, be confident in your shooting

Photo by: Jessica Williams

Photo by: Jessica Williams

Photo by: Jessica Williams

Photo by: Jessica Williams

Photo by: Jessica Williams

Photo by: Rachelle Lynn Norris

"I wanted you to see the way I see things without my glasses"

Photo by: Rachelle Lynn Norris

Photo by: Rachelle Lynn Norris

Photo by: Rachelle Lynn Norris

Photo by: Ricardo Chao

Photo by: Ricardo Chao

Street workers mean muggin

Photo by: Ricardo Chao

Photo by: Ricardo Chao

Morning nap

Photo by: Ricardo Chao

Photo by: Ricardo Chao

Notice the bike on the right side on the pillar? Gotta love the double exposure of film photography!

Photo by: Ricardo Chao

This puppy was really cute

Photo by: Ricardo Chao

Noticing this bus driver was completely absorbed in her book. I made another pass and was able to get this

Photo by: Ricardo Chao

"We are taking a photography class"
"Right now?"
"Yeah, you're the subject"

Photo by: Ricardo Chao

Feeding the birds

Photo by: Ricardo Chao

Photo by: Ricardo Chao

Photo by: Ricardo Chao

The jack hammer was pretty damn loud

Photo by: Ricardo Chao

Photo by: Ricardo Chao

Photo by: Ricardo Chao

This one was all about composition. Framing the poles to the left creates leadings lines up to the bike rider in the middle

Photo by: Ricardo Chao

New guns vs Old guard



Photo by: Ricardo Chao

Couldn't help but frame this guy at the bottom right adding the human element to this shot
Photo by: Ricardo Chao

Photo by: Ricardo Chao

 Overexposing the frame in this dark tunnel creates an almost wrap around effect with the light from behind

Fin

Friday, July 19, 2013

Analog Photog: High In The Sky With Diamonds

I am starting this series of posts because I still shoot alot of film. Quite a few people ask me about it, and I truly love the whole process of film photography. Feeling like this is a bit of a lost art among modern photographers, I embrace its far departure from the iDevice age. Now on to my story for the day. If there is a place many Tucson residents hold dear, it has to be Mt. Lemmon. Nestled in the north east side of town, it's not very far from any part of the city. What you first noitice upon the ascent up the mountain, this is clearly desert land. Saguaro cactus and other desert plans scatter the scenery to provide a stark contrast to the environment waiting at 9,000 feet. As you travel further up, the temperature drops in comparison to the scorching hot city of Tucson during summer. The day I shot these photos, it was 106 degrees in Tucson, I gladly accepted the 80 degree temp upon arrival. I would be working with Alexa that day, her edgy yet classy look would work well with what nature provided as a back drop. After some exploring we found a cool place to set up  and snap off photos. She was wearing a vibrant blue dress that day, so I knew it would pop against the leafy greens and various browns. Shooting on such an old film camera is a whole different feel to using digital. The emphasis is the same, create stunning photos, but the manner in which they are achieved couldn't be any more different. First of all, you can't see what you just shot. Want to look at the back and see if your exposure was spot on? Sorry, no can do, you should have paid attention to your built in light meter before you even pushed that shutter button. I completely understand this style of shooting isn't for everyone, and that's just fine by me. It takes alot of patience and actual knowledge of the basics (shutter speed and aperture, ISO is a fixed value on film) to nail a shot as you imagined it in your head. If all you've shot is digital, I strongly encourage you to hit up craigslist and buy either a Pentax K1000, Canon AE-1, Mintola OM-1, or any of the other iconic 35mm film cameras that can be had for about $50 or less. Don't be afraid to mess it up, because you will, but that's one of the best parts of learning. I can promise you you'll never forget missing a great shot because you messed it up a bit. That should serve as your motivation to progress and when you do nail it, it's really that much more enjoyable. There is something so refreshing about making the art with your own hands and not having a computer chip decide everything for you. Give it a shot, you might like it.

All photos on this post taken with a Pentax K1000, 50mm lens, and Fujifilm 400 film. All photos processed and digitized so I can share them with you here. If you'd like to see what they look like actually processed from negatives, set something up, and ill be glad to show you


If you look closely there is about 7 huge birds at the top of this tree

Alexa using the DSLR

Turned the camera on her brother

Natural Light

Rap game bulova bling

Personal Favorite

Rawr

Being a huge fan of B&W portraits, I couldn't resist

Sharp enough to slit your wrists

As much as I love the vibrant colors from this set,  B&W will always hold a place in my heart for its exceptionally dramatic and striking look 

Alexa was able to snap this for me. Big thanks

Le Chao

Fin